日本著名画家。1889年作为东京美术学校创校首届学生入学，从师桥本雅邦等人，与下村观山同届。1893年该校毕业。1896年任东京美术学校图案科副教授。同年，日本绘画协会创立，成为中坚画家，1897年，他的《无我》参加日本绘画协会第2届画展并获铜牌，成为其绘画风格代表作品。1898年与校长冈仓天心联袂辞职，组创日本美术院，兴起新日本画运动。至今，日本美术院及其院展仍为日本画界的主要势力。
1903—1904年横山曾出游印度和欧洲数国，举办作品展，并被接纳为法国沙龙成员，还担任日本驻罗马的美术使节。1907年，他创建日本画新派团体“国画玉成会”与日本画保守派同盟“正派同志会”抗衡，对新日本画运动的兴起起过重要作用。1937年荣获日本政府的文化勋章，并被尊称为“日本近代绘画之父”。
多米尼加 《老子》1989
总体来说，横山大观的注重以晕染和没骨法的“朦胧体”风格，他特别尊崇中国和日本的古典哲学理想，使其在画面中融入个人的阐释与情怀，构思独特，画面清新。中国著名书画大家傅抱石也曾受其风格影响。
In 1898, to create a new movement in Japanese arts, he set up the Nihon Bijutsuin(the Japan Arts Institute) in cooperation with Shunso Hishida, Kanzan Shimomura, and one of his teachers, Tenshin Okakura. The new style introduced novel techniques and methods and gave an innovative impetus to the Japanese art world. Over the Taisho and Showa eras, he pictured a gorgeous and decorative world following the traditional painting methods of the Rin group, but at the same time, he actively attempted a more modern style with clear tones using India ink, and adopted various Western painting methods as a means of developing his technique.
《灵峰飞鹤 》"flying " 1953年
《夜樱》" Cherry Blossom Viewing at Night " 1929年
《无我》" Innocence " 1897年
总体来说，横山大观的注重以晕染和没骨法的“朦胧体”风格，他特别尊崇中国和日本的古典哲学理想，使其在画面中融入个人的阐释与情怀，构思独特，画面清新。中国著名书画大家傅抱石也曾受其风格影响。
In 1898, to create a new movement in Japanese arts, he set up the Nihon Bijutsuin(the Japan Arts Institute) in cooperation with Shunso Hishida, Kanzan Shimomura, and one of his teachers, Tenshin Okakura. The new style introduced novel techniques and methods and gave an innovative impetus to the Japanese art world. Over the Taisho and Showa eras, he pictured a gorgeous and decorative world following the traditional painting methods of the Rin group, but at the same time, he actively attempted a more modern style with clear tones using India ink, and adopted various Western painting methods as a means of developing his technique.
《灵峰飞鹤 》"flying " 1953年
《夜樱》" Cherry Blossom Viewing at Night " 1929年
《无我》" Innocence " 1897年
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